Resident Evil 7 : Review

Why would an author write a Resident Evil 7 review?  It’s a video game, after all.

Because this author plays a lot of video games.  More on that in the near future.

(Also because I have access to a blog platform and the absurdist millennial belief that anyone cares a spit about my banal thoughts.)

The TL;DR version of this review is as follows: purchase this game.  If you’re a fan of the franchise (which I’m not, really) or a fan of survival horror (which I am), you’ll love it.  I might recommend waiting for a sale (I didn’t), since it comes in a bit short for its price point.

Alright, now for the long version.

Selling Point 1 : You’re Not Helpless.

I’m pretty sick of helplessness as a game mechanic.  If a game is only scary because the player is helpless, it’s secretly not a very scary game.  Anything can be scary if it’s done in low light with tense music and ALSO YOU’RE HELPLESS.  This entire trend is even more absurd because, very often, the player character is walking around an environment often littered with weapons.  Look, Outlast scared the shit out of me, despite having some of the most eye-rollingly ‘shock’ moments in gaming history, but at a certain point I started rooting for the monsters.  The player character may be a journalist, but he’s a journalist walking through halls full of possible improvisational tools!  Pick something up!

People and, by extension, fictional characters, have a tendency to create tools and even weaponry with pretty much whatever is at hand.  They don’t call it ‘The Stone Age’ for fun, they call it that because the tools and weapons were made from stone.  Human beings are so desperate for tools and weapons that we literally made them out of stone.  But apparently our frightened avatars in modern horror games are too busy panting from terror to stop for a second and gather tools.

[/rant]

Resident Evil 7 assumes your character wants to make and use tools and weapons.  That assumption changes everything.  The environment is littered with resources, from big fuck-you-up guns to various chemicals and herbs to garden tools.  It creates a more interesting dynamic than helplessness.  Holding an ax gives you a sense of possibility, of strength.  Swinging it gives you a sense of power.  Whacking it into someone’s neck in a moment of desperate terror gives you an inch of control.  Turning around to find the corpse mysteriously missing…

One of my favorite horror games ever was FEAR (and its sequel, FEAR 2.)  It armed me from the start.  The game handed its player a series of awesome, fuck-you-up guns.  And then it peeled away the frail veneer of your confidence and dropped you into a situation far beyond your depth.  Resident Evil 7 does something quite similar.

Selling Point 2 : A Dreadful Sense of Intimacy

The primary setting of RE7 is a sprawling plantation estate in rural Louisiana.  It’s a family’s property.  A fucked up family, but a family nonetheless.  And the banality of that fact, the familiarity of a house’s interior, serves to create an unsettling intimacy.  Family photographs, sports paraphernalia, book shelves, kids’ trophies, etc… the details of a family history are all there.  There are even receipts and passive-aggressive sticky notes.  And the player is pressured by game mechanics and curiosity to check everything, to look into every corner, to experience as thoroughly as possible this maddening juxtaposition of the familiar and the grotesque.

Perhaps this is what I like most about the game: the minimal scope.  You are a lone human maneuvering through a minuscule slice of the globe.  The massive, overarching lore of the franchise is missing.  The vast scale of backstory is unimportant.  This is a game about the protagonist and the antagonists and very little else.

Franchises tend to bloat.  Scale expands and exposition piles up.  This game, ‘reboot’ or not, solves that problem with a sharp, indifferent knife.  It delivers what it needs: a tightly-focused story.

Selling Point 3 : Something For Everyone

Horror is lush with sub-genres.  RE7 does its best to tap as many as possible.

Supernatural horror is immediately dangled in front of our faces.  Body horror is omnipresent.  Sci-fi horror is the franchise staple.  RE7 even incorporates moments of splatterpunk and, of course, general action-horror.  Oh, I almost forgot, there’s a whole SAW-inspired puzzle-solving section, too.  Not to mention shades of Chainsaw Massacre throughout…chainsaw very much included.  Which also reminds me that southern gothic archetypes and references are everywhere in RE7.  There are also cosmic horror references, though that particular sub-genre doesn’t make any real appearances in the game proper.

I guess what I’m trying to say is that there’s something for everyone.  And though the run-and-hide mode of helplessness horror isn’t an expressed requirement of the game, running and hiding is often the wisest course of action.  So they’ve got that, too, if you like it.

One might worry that the ‘dash of everything’ approach might overclutter the game, but it doesn’t.  It provides different levels to the gameplay and, what’s more, always seems in service to the story.

Selling Point 4 : Sadistic Antagonists

I saw an article online lamenting the ugly gameplay necessity of key gathering, narratively lampshaded with the idea that the antagonists want to make it hard for you to escape.  The article pointed out that the antagonists didn’t bother reinforcing the walls, blocking the doors, or bricking up the windows.  I imagined that such measures would take away some of the ‘fun’ for the antagonists.  As much as they claim they don’t want to chase anyone down anymore, they seem to get a wicked joy out of doing just that.  If they made it too hard to escape, they’d lose the ecstasy of chasing down the desperately hopeful escapees and butchering them!

Such is the rabid sadism of our front-and-center antagonists.  Quite early in the game, during my second playthrough, I discovered myself gravely wounded by my pursuer.  Instead of finishing the job, he set a healing kit down on the floor and cooed at me to use it.  Once I’d patched myself up, he even gave me a headstart before coming after me again.  So, in my mind, the key hunting has nothing to do with making it difficult for me to leave; it has everything to do with providing the antagonists with entertainment.

These batshit crazy sadists provide the main antagonism.  Hordes of faceless monsters provide secondary, supporting antagonism (the ‘nameless goon’ variety, mostly.)  And then, behind it all, there lurks a vast, faintly-inhuman force (oh, wait, I guess those cosmic horror references make some sense after all).  Each layer of antagonism serves a purpose both to story and to gameplay.  The front-and-center villains are charmingly psychotic and extremely terrifying.  The nameless goons provide tense, strategic combat.  And the terrible intelligence behind the whole show creates a layer of moral and intellectual questions the game would otherwise lack.  It’s quite an exquisite array of enemies.

The Downside : It’s a Bit Pricey.

Currently, the game goes for $59.99, not including DLCs or soundtrack.  My first playthrough took 10 hours, my second took 7.  There’s an in-game achievement for managing it down to 4.  Though it’s a bit replayable, if only for the sheer moodiness and the awesome realization of its setting, replayability isn’t its prime directive.  I’ll certainly be prancing through it a third time, but I’m a particular sort of person.  In the main, I doubt most people will go through it more than twice.  So what that settles down to is that the base game provides, say, 10-20 hours of gameplay for a ~$60 price tag.  No thanks.

It was worth it, for me, because I love the genre and I’m utterly sick of helplessness horror.  I’ve played through twice and will be playing a third time at least.  I enjoy the game from a gameplay perspective and from a horror theory perspective.  I also sprang for the DLCs, not yet available for PC, which I hear add significant replayability–but we’re not discussing the DLCs, are we?  No.  We’re discussing the cost of the base game.  And the cost of the base game, unless you’re a weirdo  like me, is simply too high.

But I guarantee it’ll be on sale in the near future.  So if you’re the patient sort, you’re in luck.

Final Thoughts

RE7 provides an excellent experience.  It’s nerve-wracking, unsettling, frightening, and fun.  In my original 10-hour playthrough, I sweated and panicked through the first 2 hours like a man on the edge.  For the few hours after that, my mood shifted between anxiety and joy.  Anxiety at every door, every corridor, and every corner; joy at my increasing competence at solving my dilemmas.  Most of the last hour was spent in full action mode, all sound and fury and laughter.  It was an incredible emotional journey.

In my second playthrough, I was more confident.  My relatively eased anxiety allowed me to appreciate the setting and the art of the game more deeply.  The narrative flow, the peaks and valleys of fear throughout the story, etc.  It was during my second playthrough that I really fell in love with the game.

So, yes, it’s an exquisite game, an excellent bit of interactive horror media, and a decently written (if also unevenly written) story.  My only dismay is at the price tag, a number I think is a bit high for people less fanatical about their devotion to horror media and video games than I am.  But I suppose that’s for them to decide.

 

Share This:Facebooktwittergoogle_pluspinteresttumblr
Stalk Me:Facebooktwittergoogle_pluspinteresttumblrinstagram

Why Dark Fiction?

Hello, imaginary public, and welcome to today’s process blog entry: “Why Dark Fiction?”

Some time ago, on the internet, while discussing writing with a bunch of fellow writers (whom I’ll likely never meet in person), I was posed a question by someone who had actually read some of my work.  At first, I was stunned, because who reads my work?  But, then, I decided to answer the question.  The question, in essence, asked why I so rarely included ‘redemptive’ endings in my stories.

I assumed (s)he was asking about the ending of No Grave, because it seemed like a safe assumption to make.  My short stories don’t allow for a wide variety of endings, to be honest.  A story entitled “A Black House Rots North of Town” does not seem to promise a happy ending.

But it’s a fair question.  It taps into a kind of debate that I’ve seen people get involved with, before.  Especially in genre fiction–fantasy and sci-fi and such–where part of the allure is escapism: what ending do we provide an audience?  Are authors obligated to leave the audience at-ease?  Are we obligated to try to improve their real-life suffering by providing fictional easement?

My answer is unsurprisingly non-committal.  Mostly, my answer is an awkward, uncomfortable face and a series of tense, shrug-like gestures.  A few sounds akin to words like “eh?” and “maybe?” and “kinda?” and “iunno?”  Luckily, I mostly see this debate on the internet, where I’m able to scroll past without comment.  When asked about it on a forum, I provided a neat, clean paragraph that hardly covered my actual opinion.

But today, I’m throwing in my 2-cents.  And a writing prompt at the end.

Stop Reading Now If You Don’t Want No Grave Spoilers.

Seriously.  I’m not going to get too specific, but you’ll know the approximate ending if you keep reading.

Assuming you care.

Which, if you don’t, that’s okay, too.

Alright: last chance to stop reading.

Seriously, you can scroll down to the writing prompt and skip all this.

Still here?

Great.

So, several people I’ve spoken to regarding No Grave have some issues with the ending.  It’s a bit dreary.  The ‘good guys’ (to the extent any of them can be called ‘good’) sort of lose.  Or, at least, they certainly don’t ‘win.’  Whatever that means.  And the main character makes a choice that is deeply selfish in the face of great evil.  (For the record, I would probably make the same choice).  Perhaps worse: once the selfish choice is made, she’s not particularly effective at carrying it out.  It all seems pretty unpleasant.

Well, sure, but that’s the point.

I find it therapeutic actually.  Because, in real life, we lose all the time.  Or we make choices that don’t pan out.  Or we try to save people and they die anyway.  Et cetera.  Mostly, we’re very small and weak and human.  We fail probably more often than we succeed.

And this is the important part: that’s okay.

Tristan makes a terrible mistake and tries to salvage it and it doesn’t work.  Nicole commits to a losing proposition after essentially being pressured into it and she gets scared and doesn’t do it.  Cyrus pursues his own interests selfishly until he sees how far people will go for each other and then those people get fucked because of him.  Even though he tries his hardest to turn over a new leaf and save them, it’s just too-little-too-late.

So what happens, then?  Everyone packs it in, tail between their legs, goes home, and eats a bullet.  No, wait, that’s not what happens at all.  They take their moment, they mourn, they cry about it, they feel guilt and pain and suffering and then they pick themselves up and get ready to try again.  They’re getting licked out there and they huddle up, count off, and prepare to hit the field.  Once more into the breach and all that.

As far as I’m concerned, their failure is a message of hope.

Let me explain.

Escapism vs. Hope

‘Escapism’ doesn’t necessarily mean ‘complete fantasy.’  I don’t need to tell a story where the good guys win.  I don’t think the ‘good guys win’ formula is terribly hopeful.  Optimistic, sure, but not hopeful.  Hope isn’t hard to do when you’re winning.  Hope is hard to do when you’re losing.  And that’s the narrative I’m building.  Losing isn’t the end of a thing and neither is failure.  Loss and failure are just things that happen.  People make bad decisions, selfish decisions, wrong decisions.  People fuck up.  Then they try again.  Most of us will probably die with works unfinished and we hope others pick up where we left off.  The world spends a few months raining shit down on us and we hope we do better next time.  Hope isn’t in a victory, it’s in the attempt.

I have no desire to sell the ‘good guys win’ narrative, or any narrative of false optimism.  Or any narrative that feels false to me at all.  Sure, sometimes the good guys will win, I’ve definitely written and outlined stories where that’s what happens–because that’s what makes sense.  But in the main, that’s not the product I peddle.  My type of escapism doesn’t guarantee a happy ending, or a ‘redemptive’ ending as it was put to me.  But I don’t think people need those.  I don’t think they’re particularly helpful.  I don’t think they’re necessarily useful in easing real-life suffering or imbuing an audience with a sense of hope or wellness.  Instead, I aim to say: “hey, so, things suck right now, shit happens, whatever, but you shouldn’t give up.  Pick yourself up, brush it off, and try again.  Hold out for next time.  And the time after that.  And the time after that.”

Or, perhaps, in this trying era, Maya Angelou put it best: “You may encounter many defeats, but you must not be defeated.”

There’s a common saying that things are always darkest before the dawn–so maybe my stories aren’t about the dawn.  Maybe my stories are about the darkness getting darker and the characters having the strength to hope that the dawn breaks soon.  To have the strength to use gas-station bics and old, beaten matchbooks to make their own dawn because they don’t want to wait anymore.

And sometimes the darkness takes one of them, and all the others go out and gather sticks and build a pyre and set it ablaze and that inferno is its own dawn, for a while.

Good guys don’t always win, but they always keep trying.

That’s the narrative I’m selling.

Writing Prompt!

If you feel like doing some writing today, try this one out: write at least one (1) page where the story begins with the character failing.  Bonus points if the character fails because of their own stupid mistakes.  After the failure is complete, what happens next?

Share This:Facebooktwittergoogle_pluspinteresttumblr
Stalk Me:Facebooktwittergoogle_pluspinteresttumblrinstagram

Out of the Dark: An Update.

Some of you have recently messaged me to ask “where the hell is the American Apocalypse?”

It’s still lurking in the darkness, worry not.  Its destiny will manifest, soon.  Due to its improvisational nature, a call-and-response to the madness of our national climate, its become somewhat run-away and I’ve had to resort to a degree of planning, a method of crafting its future to ensure it drives the deepest possible knife.  This has required a small break, but it will be back in action very soon, limping and squirming its way forward.

I also have other news that I hope will buy me pardon for my silence.

Piece of news #1: that Oceanrest project I mentioned so long ago has gained its landlegs.  Several of them.  I consider it still fairly Top Secret, and so won’t go too much into detail, but I’ve found myself in a position where the world and stories of Oceanrest need my focus.  Expect to see some more Oceanrest flash fiction and Oceanrest news in the near future.  I don’t want to jinx myself so I won’t say more.  If you happen to have an old chicken on its last legs, its eyes half-blind with cataracts, well, feel free to sacrifice it in my name.  If your chicken is healthy, however, consider giving it a name.  “Henry,” for instance.

Piece of news #2: I’ve started work on No Peace.  Oh, yes, I should clarify– No Peace is the third book of The Furies series, a sequel to No Grave.  I’ve only just now started scrawling the project in earnest, so release isn’t on the horizon, but between opening No Peace and my work on the Oceanrest project, my writing time isn’t as vast as it used to be.

Piece of news #3: I’ve taken to writing more non-fiction.  This isn’t of any particular note, really, although I now have some biased political screeds on http://perspectyve.com — but my sudden interest in essays and op-eds has proven distracting.  Does anyone really care about my thoughts on horror and dark fiction?  I doubt it.  Yet, I am compelled to write them down.  Maybe one day I’ll throw them on the blog, here, but for now I think it’s best if I keep my damned opinions to myself.

Piece of news #4: website re-design.  Several of the plugins and the previous theme I’d been using on this site have caused problems and site downages, preventing my precious words from finding their homes in your eager skulls.  Because I’m a narcissistic writer-type, I find this to be unacceptable.  So the site is undergoing the slow process of revision and “rewrite.”  As I hobble forth on this endeavor, there may be issues, though hopefully no site downages anymore.  This also takes time away from American Apocalypse.

But worry not, squidlings.  With the beginnings of a plan in hand, I’ve already started drafting the next segment and will have it online as soon as all these other horrors allow.

Share This:Facebooktwittergoogle_pluspinteresttumblr
Stalk Me:Facebooktwittergoogle_pluspinteresttumblrinstagram

The New American Apocalypse, Pt. 21

(The New American Apocalypse

Table of Contents: Part One; Part Two; Part Three; Part Four; Part Five; Part Six; Part Seven; Part Eight; Part Nine; Part Ten; Part Eleven; Part Twelve; Part Thirteen; Part Fourteen; Part Fifteen; Part Sixteen; Part SeventeenPart Eighteen; Part NineteenPart Twenty;

Part Twenty-One:…)

[Day 26, Cont’d]

I read the words of the Dark Ones, in the tongue of the Great Darknesses, yes, I spake!:

“A woman’s place is in the home! The Lord himself seeds all wombs! Abortions shall be performed only with hooks and hangers! A child of rape is a beautiful creation, deus vult!  Hupadgh’fhalma!  Goka gof’nn!  Damn the sluts to a thousand squirming young!  Damn the prudes to barren wombs!  Serve!  Serve!”

My mind clouds!  My vision dims!  Oh, forgive me!  Ms. Bradbury, especially, forgive me!

But I go on!:

“He was a troublemaker!  He stole something!  Look at his social media photos!  The police are endowed with the right to decide what constitutes reasonable force!  The burden of protecting the citizenry is a heavy one and wears on their nerves!  De-escalation is an impossible option!  All lives matter!  Mnahn’orr’e!  Bow!  Bow!”

The starless cosmos glowers in my periphery!  Mr. Ballard, Mr. Baldwin, Mr. Conrad, ah, I swear though my mouth betrays, my heart is not in it!

A portal forms in the center of the room, small and growing, purple and photo-negative light coils around us…the spell continues:

“The great Phallus M’Ra, worship!  M’Ra’fhtagn!  Rise up hard and vast, oh massive godlike Phallus, rise up and into our spirits!  Come into our hands!  Give us strength, M’Ra, strength of hand to silence, strength of grip to serve, strength of finger to spread the gospel wide!  Ia!  Ia!”

Neverending gospel of the Great Dark Ones!  My lips seem to peel away from my face as I speak!:

“Uln’Vanderbilt!  Uln’Pullman!  Uln’Reaganomics!  The worms and slaves beneath shall serve as meat for the monster of industry!  Chew between the white-collared teeth those back-broken wretches, hunched in inferiority!  Chew against lean muscle and fatty gristle, burn their calories empty, devour their spines!  Hain’t I got the money?  Hain’t I got the power!?  Vanderbilt’fhtagn!  Robber King of Gutted Economy, rise!”

The tenebrous portal devours all light as it opens like a vast maw in the earth!  I lose my voice and it is Mr. Baldwin who smacks me over the head and keeps me speaking, even as the words I utter turn my guts and raze my weak and harrowed soul:

“Plug in!  Download the Hollywood programming: yea, first we believe in the bootstrap mentality, that all men and only men and maybe a couple very attractive women are created equal and have access to equal opportunities and therefore any failings are failings of the character; yea, and second we believe in the doctrine of the meaningless, that no story shall afflict the brain with questions, no story shall drive us to act, all tales exist for the sole purpose of entertainment!

“Yea, and download the News Media Add-on: that third we believe in the news cycle, we adhere our attentiveness only to a spread of five-to-seven-days before moving on, that all problems not solved in the time frame are unsolvable, that the entertainment ends and curtain falls, that out of the camera’s focus nothing exists; yea, that fourth we believe that class does not exist, that wealth is a byproduct of competence, these men and primarily men and maybe a couple acceptable women with the right parentage are pillars of industry, Messiahs of Commerce striding among poor shriveled indigents, worthy the vault of fortune they possess; yea, that fifth we believe in Fair and Balanced reportage as labeled by articles set forth by the blinded gods of chaos chirping in the far reaches of space, that our duty as journalists rests on strong research, on finding the most disarming photographs available of white killers and most alarming photographs available of the black and brown ones, that our duty as journalists rests on adherence to the principals of the party, the writhing chaos gibbering around our meaningless lives;

“Yea, and download the Fast Forward Tube Feed: that sixth we believe in strict overabundance, that fatted bodies cannot fight and fatted minds cannot think and so we must stuff the mouths of the Cattle Class with all the cheapest feed available; yea, and that seventh we believe in the blinding flash of overly compressed frames in every minute, of pumping out a kaleidoscope of entertainment and reportage instantly overwhelming, of generating sensory overload on a scale that cannot be contained, cannot be expressed, cannot be understood except in the glibbest, blithest, most meaningless of observations delivered in under 140 pithy characters!”

And so the portal opens wide its endless mouth and down the throat of that terrible maw we see the hideous truths.

There: the American Heart of Darkness.  There: the pulsing balls of the Great Darknesses.

This is dead land; this is city land.  Moonlight crawls along broken columns.  A horde of human flesh is fed to a machine tyrant.  It devours factories full of four-fingered children.  It devours poor neighborhoods and low-income housing.  It devours streets and counties and parishes and dead-end towns miles away from the nearest grocery store.  Its innards roar like the mouths of a thousand garbage disposals.  It defecates money and meat, both equally bloody, and leaves a trail of half-digested bodies still twitching in its wake.  Its eyes are black holes.  Its mouth is a black hole.  Its hunger is bottomless.  It feasts forever.  It feasts not with agenda but out of blind idiot instinct.  It feasts because it can.  It feasts because it feasts.  There is no ‘why’ and maybe there never was.

Its world is a shattered grayscape of wasteland.  The subway cars are oil-slicked worms eating their way through the mantle of the earth.  The highways are taut strings clenched in its clawed fingers.  The mountains are the spines of Its brethren.  Smoke gutters its way up from everywhere.  Charred skeletons stare up empty-eyed from mass graves lining the globe.  Tentacled robber barons and zed middle-management types eat the remains of mankind with paired wines behind picture windows. The skyscrapers are great phalluses.

And every radio station and every TV show and every newspaper and every cheap liquor ad with a pouting woman on the poster all say the same thing: This Is The Way Things Are.  This Is The Way Things Are.  This Is The Way Things Are.

No!  No!  This is the way the world ends!  This is the way the world ends!  Not with a bang but an advert!  Between The Way We’ve Always Done It and the Way We Could Change Things falls the fucking shadow!

I am screaming, I realize.  I shriek with horror.

The thing, the monster I now realize is leading the Great Darknesses in their newest assault on our world, the Beast itself, peers up at me through the portal we opened and I see the infinite darkness of Its eyes shift like oozing tar.  Its gaze upon me, It grins.  Its teeth are smeared with blood.  Viscera hang between its many fangs.  It is in sore need of floss.  But worse: Its breath.  Or worse, still: that I can smell Its breath, that It laughs at me, at my smallness and my weakness and my cowardice, that It snickers so giddily and so happily that the reek of Its corpse-enriched breath reaches me.

Mr. Baldwin wrenches me away from the portal, clutching my wrists in his grasp.

He tells me I was trying to claw my eyes out.

Share This:Facebooktwittergoogle_pluspinteresttumblr
Stalk Me:Facebooktwittergoogle_pluspinteresttumblrinstagram

The New American Apocalypse, Pt. 20

(The New American Apocalypse

Table of Contents: Part One; Part Two; Part Three; Part Four; Part Five; Part Six; Part Seven; Part Eight; Part Nine; Part Ten; Part Eleven; Part Twelve; Part Thirteen; Part Fourteen; Part Fifteen; Part Sixteen; Part SeventeenPart Eighteen; Part Nineteen;

Part Twenty:…)

[Day 26]

It begins.  We are a quiet bunch and must be secretive, but we begin.  Let it be put down in the history books that this day the…whatever day it is, now…late summer?  Early autumn?…well, let it be put down, at least, that at some point during this season of growing night, at some point during these dark days, a collection of artists began to hone their craft in secret from within the clutches of the Great Darknesses, themselves.

I am assured, also, that the request for art has been ferried along to every open ear on the east coast.  In the sewer hideouts of the DC rebels and the abandoned subway tunnels inhabited by the terrified survivors of New York’s zombie gentrification apocalypse, people will be making art.  In the overpopulated Employment Camps spread across the northeast, ink and paint and blood will spill from the minds of the dispossessed and indigent and onto canvas and paper.  Those few zed still possessed of enough brainpower to harbor free will…soon their bloodshot eyes will be brought to gaze upon Truth, and if the bare human truth captured in art is not enough to stir them from their corpse-like slumber, then it is already too late.

Their minds have been massaged by rapid-fire images seared through their eyes, projected against them by so many screens that they are uncountable.  They’ve been numbed to questioning.  The afflicted have been comforted and the comfortable have also been comforted.  Sedatives and painkillers have been pumped through their skulls, the sole nourishment for their brains.  Now we will change the picture.  Or so we hope.

It’s a multi-pronged attack, of course.  We still need the guerrillas in DC and the team in New York to stay active, to put pressure on, to make a show of force against the darkness…to prove, really, that there’s another option to take.  We’ll need rebels and revolutionaries fighting tooth and claw every step of the way, bearing the most risk for the least historical reward.  People with backs strong enough to carry the burdensome crosses of this battle.  But while they take the fight to the streets and markets and parks and apartment complexes of this twisted, tormented nation, we will hack our way into the airwaves and distort the images purveyed by the mind-numbing screens until they disturb rather than dissuade, until they question rather than comfort.  We’ll print the posters and post the bills and tag the Cyclopean halls of Wall Street with bright multi-hued graffiti.  We’ll write essays and fictions and manifestos and poetry and multi-genre multi-media works that jerk the veil of comfortable illusion away from the eyes of the zombie class.  We’ll wake them up.

Such is the goal.  We shall see.  I am torn, after what happened last night…I am flush with confidence and filled with terror.  Simultaneously, I believe our victory is possible and impossible.  You will understand when it is done.

For now: as Jim Morrison wrote, we will “[take] pills to stay awake and play for 7 days.”  That’s right.  I’m cranking into my vault of externally-abled courage.  I will rest no more.  Especially after what I’ve seen.  For as long as my drug-induced confidence holds out, I will be unshakable…which I may need to be, considering how quickly these operations are likely to be discovered.  In the battle of propaganda, and also just in literal terms, the Great Darknesses possess many watchful eyes.  The Scanners were only the beginning.

One night ago: Mr. Baldwin approaches me after a 10-hour day of digging graves.  All Employment Camp graves are dug in advance, I should mention, to a depth corresponding to the debt of the person who will one day fill it.  One of my several rotating jobs at the Camp is to dig them.  As you may guess, manual labor is not my favorite thing.  But, hey, when you’re a prisoner in the clutches of Great Darknesses trying to subsist on the questionable leftovers handed down to you by the Cannibal Class, you do what you gotta do, right?

Anyway, Mr. Baldwin approaches me after a 10-hour shift.  (Side note: fairly certain my “lunch” yesterday was a specific kind of morally discomforting veal…not to say all veal isn’t, in some way, morally discomforting, but it’s different when it’s likely your own species) — my apologies for the sidetracking, but there are some details of Camp life I haven’t gone into, as I have been drowning under a sea of existential malaise and general psychological malady.

Anyway, ahem, Mr. Baldwin approaches.  In his hand is a small book, perhaps the size of a stack of 3×5 study cards.  Its binding is stitched out of human skin and bat wings and the title is a symbol my hand can’t reproduce but that has been branded into the flesh with a hot iron.

“What the hell is that?” I ask, rightfully.

“One of the Great Dark Ones’ secrets.  Come on.”

I don’t ask further questions.  Instead, I follow Mr. Baldwin back through our self-dug cemetery to the plot of land reserved for his future corpse.  He leaps inside and I follow.  It seems one of the workers has dug a cramped tunnel leading from the bottom of his future tomb to some tiny earthen cavern.  Once inside this cavern (no larger than, perhaps, two coffins sat next to each other, which makes it still larger than the Employee Lounge we usually meet in), he sets the book between us and opens it up.  Strange designs draw my eyes–impossible geometries and bizarre lines.  Escher animations and hideous Beksinksian landscapes.  My mouth hangs wide.

“You speak their language, right?” Mr. Baldwin asks.

“I–no, I’m just a…a…” but I freeze.  Because he’s right.  I recognize some of these nonsense symbols–entire phrases, even!  Entire paragraphs!  I can’t make sense of every page, or even form a cohesive understanding of what I’m reading, but I speak the language, I know the tongue…how?

“Must have got to you young,” Mr. Baldwin’s voice is comforting, though I know it is an artificial comfort.  It has the practiced execution of someone used to easing people into harsh truths.  “I think that’s likely how it happened so quickly.  The Great Dark Ones had half of America brainwashed before they even rose up out of the sea.”  He shakes his head.  “Goddamn.”

“But…but I’m a writer!” I scramble back into the hard dirt, shocked.

“A path you chose…but think back.  How many messages were burned into your brain before you had a chance to fight back against them?  How much propaganda did the Great Darknesses spoon-feed you before you were even off of Gerber?  How often does your conscious mind have to fight back programmed thoughts?”

I stammer senselessly.

“Maybe that’s how they were able to use you,” Mr. Baldwin continues.  “Playing on sleeping instincts programmed into your brain.  Or maybe they just whispered to you at just the right moment…a moment when you had truly given up.”

I open my mouth to answer, but he cuts me off.

“You don’t have to trust me with the answer.  I don’t know if I’d trust you gave the honest one, anyway.  But just as they used you, so can we.”

He taps the top of a page.

He says: “I need you to read this.  I need you to cast this spell.”

Share This:Facebooktwittergoogle_pluspinteresttumblr
Stalk Me:Facebooktwittergoogle_pluspinteresttumblrinstagram

The New American Apocalypse, Pt. 19

(The New American Apocalypse

Table of Contents: Part One; Part Two; Part Three; Part Four; Part Five; Part Six; Part Seven; Part Eight; Part Nine; Part Ten; Part Eleven; Part Twelve; Part Thirteen; Part Fourteen; Part Fifteen; Part Sixteen; Part SeventeenPart Eighteen;

Part Nineteen:…)

[Day 14]

I wake up furious and by the end of the day I am too exhausted to do anything about it.  I am beginning to think this is how the place is designed.  It is easier just to wait and die than it is to fight.  On the plus side: I have found drugs.  If I corral enough of them, potent pills in particular, I might be able to draw something similar to courage out of them.  I may need it.

Imagine me, courageous.  What a change of pace that would be.

For now, though, I bide time.  Wake up hateful and fiery, full of the passion that revolutions are sparked from, work until the passion is drained out of me, and return to my bunk to collapse in defeat and forfeiture.

It seems there are few here who have the inner spirit to rise to Mr. Baldwin’s level.  I was surprised, at first, to see so few men and women in the spirit and soul of protest, so few angry faces screaming out for more.  After my first weak I felt beaten, yes, certainly, but it has been this second week that has taught me the meaning of defeat: to give up.  How easy it would be just to subsist, here, to let the banks wear me to my bones and brainwash me with the mindless TV images constantly berating my fellow workers, to let them pump me full of numbing, thoughtless bliss and let it carry me into a sleep as dark as the bottomless guts of the eldritch abominations who run the place.  How easy it would be to sag my tired bones into the dimple of a couch and let the flickering re-runs stretch my time into oblivion…

But Mr. Baldwin is there to remind me.  He and his small crew of secret rebels meeting in the quiet corners of this damnable place…they keep me awake and thinking.  They remind me that I am not…that we are not cattle.  We were not bred to work and slaughter.  And, yes, the fight is grim, and we are not winning, but there is still a fight.  To listen to him speak, even at a bare whisper, is to listen to the voice of revolution.  Of suffering given hope.

He brings in news from the front.  How it travels all the way here, I don’t ask.  He wouldn’t tell me anyway and considering my weakness against fear and interrogation…it’s better if I don’t know.  The news is as follows: it seems Mr. Swift and Mr. Conrad have joined a group in DC.  They’re limited to guerrilla tactics and have thus far been unsuccessful in dismantling the abyssal hold the Dark Ones have over the Capitol.  Ms. Bradbury and Mr. Ballard were last seen only days ago, alive, in retreat from a horde of rampaging zombies that have invaded the western coast of Queens.  One of them snapped a photograph, uploaded to Instagram with the tags #nofilter, #undeadgentry, and #TheEndIsExtremelyFuckingNigh.  It shows dozens of shuffling creatures flooding the streets, each wearing an off-the-rack suit and many holding bottles of craft beer, as they batter down apartment doors to claim their new residences.

I deflate at the news.  My old apartment is likely reclaimed, now.  I think of my roommates torn asunder, devoured by the zed onslaught, their bones bleaching in the New York sun.  Or worse: perhaps they joined the Cannibal Class.  Perhaps in the fight between the human spirit and the Great Darknesses, they elected to join the Great Darknesses…to exchange their threadbare lives for a wealth of status symbols and mindless servitude to gibbering, unknowable Gods.  In either case, I doubt my keys will still work.

Making the blind and foolish assumption, of course, that I ever get out of the particular hell I’m living in, now.

 

[Day 20]

I’ve accrued a solid collection of drugs.  Enough to keep me unafraid of death and debt for a week or so, should I delve into heavy use.  Which may be necessary, considering that my latest paycheck has come in with the ‘Owed’ line in big bold font, alerting me that not only have I failed to make a dent in my debt, but I’ve somehow grown it.  An attached letter from the bank CEO (a form letter, naturally, and the copy likely written up by some zed assistant who was happy to take on the work in exchange for an extra sliver of gray matter offered him by his masters) — it accuses me of not working hard enough, of failing to produce the numbers required to make good on the gracious loan they’ve made to keep me out of prison, of being a leech on the body of their goodwill.

This letter, combined with the general sense of anguish aching in my bones, has driven me to meet with Mr. Baldwin in discussion of certain ideas I’ve been toying with, ideas that his own inspiring voice has planted in the previously fallow trenches of my brain.

He has a network of informants and messengers, of course, though I stay clear of the details — which means he is able not only to bring news in, but to get messages out.  What he’s been using these means to do, thus far, is not on my mind.  I assume he’s acted as an intermediary between groups, the middle man of a small, quiet rebellion… but there are other methods.

“You know what I’m talking about,” I whisper.  We stand inches away from each other in an ‘Employee Lounge’ the approximate dimensions of a coffin.

“You would risk the lives of dozens of men and women.”

“But you know!  You must know the sway such things can have!”

He looks over his shoulder–an unnecessary and paranoiac reaction considering the claustrophobic confines we meet in–and purses his lips.  “You’re talking about making art.”

“It may be the only weapon we have left.”

“It will not work, alone.”

“You think I don’t know that?  I’m not proposing a solution, here, dear sir, I am proposing a step.”

“A dangerous step.”

“The good ones always are.”

He considers this for some time, his serious eyes boring into me somehow even further than the Scanners’.  What does he see?  What does he see that the monsters do not?  What does he see, at long last, that makes him nod?  And when he nods, he says: “I thought you might have it in you.  And you’d better not squander it.”

Share This:Facebooktwittergoogle_pluspinteresttumblr
Stalk Me:Facebooktwittergoogle_pluspinteresttumblrinstagram

The New American Apocalypse, Pt. 18

(The New American Apocalypse

Table of Contents: Part One; Part Two; Part Three; Part Four; Part Five; Part Six; Part Seven; Part Eight; Part Nine; Part Ten; Part Eleven; Part Twelve; Part Thirteen; Part Fourteen; Part Fifteen; Part Sixteen; Part Seventeen;

Part Eighteen:…)

I spend a lot of time in the Employment Camp.  I don’t have the constitution to open myself to the memories of such horror, so the next bit will be transcribed from my old journals:

[Day 6]

Nietzsche once said that any civilization whose primary goals were optimism, knowledge, and advancement would necessarily require a slave class.  Sure, everyone wants to be a scientist or an artist or an academic or a philosopher or whatever, but at the end of the day someone has to grow the food, cook the food, and serve the food.  Someone’s gotta take out the garbage.  Someone’s gotta milk and slaughter the cows and someone else has to hold the buckets for all the blood.

Well, baby, here we are.

The Employment Camp is every bit as terrifying as I imagined.  These ramshackle apartments are tenements clustered so tight I have an anxiety attack before I’m even stuffed inside.  Human stench fills the air.  We’re like sardines but somehow saltier.  Men and women work their bodies to the bare bones in exchange for a pittance.  It gets worse.  Payment is made against our bail loans, which apparently have a 16% interest rate, and rent and food and water is taken out additionally, along with any penalties.  After working a week in these hellish conditions, I wake up on payday to discover that I owe the bosses money!

We are wageslaves chained to our basic needs.  The Darknesses know this.  They made a wise bet…they know we will always choose life, no matter how painful and miserable that life ends up being.  And the ones who don’t?  The ones who choose death, nothingness, the ones who go mad or kill themselves?  Fewer mouths to feed.

I exist, here, in a malaised despair.  This journal cost me a day’s labor, and the pencils another half-day.  It doesn’t matter.  Like most of the populace, here, I’ve given up hope of digging myself out of debt.  Until such time that a trial happens, lorded over by a Judge of the Great Dark Ones, I will rot here.  Maybe there are no Judges.  Maybe there are only Scanners and privatized bail loans and Employment Camps where prisoners work themselves to death…maybe this is all life has to offer, anymore…

And the bastards took my man-bag, of course.  I’ve been reduced to moonshine the other prisoners make it bathtubs and toilets.  Pray I don’t go blind…though maybe that would be a blessing in disguise…

I’ve noticed the daylight is retreating.  Every day seems shorter, every night longer.  The sun is dimmer than I remember it being.  The Great Darknesses seem to be winning, whatever that entails.  If they win, what happens to my words?  Losers don’t write the history books, after all.  With these pages mashed to dust, it will be as if I never existed at all.

A man named Mr. Baldwin (no relation) brings in the news from outside.  How he gets it, I don’t know, but it seems grim.  The eldritch abominations wreak havoc across the world.  The M’Ra Cultists ride through city streets on chariots, swinging three-foot dildos like swords at the non-believers.  The Church of the New American Jesus banned heretics from entering the country.  The smarter atheists have already fled to Canada.  Muslims make their way northward via an underground railroad system, hiding in attics like Anne Frank and waiting for a gap in Scanner security to move to the next city.  The Cannibal Class has taken to open safaris, roaming the hellish cityscapes with their zed underlings hoping to scoop out the brains of artists and retirees and homeless veterans and urban youth.  I’m surprised they still feel the need to use code…

There is no news of my old compatriots.  Will I ever learn what happened to Mr. Swift and Mr. Conrad in DC?  Did Ms. Bradbury and Mr. Ballard escape?  What of those other rebels whispering across the airwaves?  Is there hope still to smash this wretched system and rescue ourselves from the hungry abyss?  Or is it too late for foolish hopes like those?

I tell Mr. Baldwin my fears over mason jars filled with moonshine.  He makes no effort to hide his disgust.  “So you would give up?  Lie down and let them eat you?  Be my guest, then.  I won’t go out without a fight.”

How he maintains ferocity in such a place as this, I don’t know.  To toil beneath the will of monsters, to return to our tenements broken and exhausted…and still to find the fire inside with which to fight…he is made from stronger stuff than I.  But that seems obvious.  After all, what lies within me other than “weakness?”  Or the constant self-inflicted “cowardice?”

There must be drugs somewhere in this hellhole…and I shall sniff ’em out.  Mr. Baldwin may get his fire from internal sources, strong of will and spirit, but I’ve always found my courage hidden in the apothecary’s shelves or at the bottom of a bottle of whiskey.  To fight the good fight is easier when it’s done with a little intoxicant…

And I’m not beaten yet.  Mr. Baldwin may look down on me for my weakness, but I’m digging his fire.  I hope to find some of my own, even if I have to scoop it out of the bottom of a toilet bowl.

Share This:Facebooktwittergoogle_pluspinteresttumblr
Stalk Me:Facebooktwittergoogle_pluspinteresttumblrinstagram

The New American Apocalypse, Pt. 17

(The New American Apocalypse

Table of Contents: Part One; Part Two; Part Three; Part Four; Part Five; Part Six; Part Seven; Part Eight; Part Nine; Part Ten; Part Eleven; Part Twelve; Part Thirteen; Part Fourteen; Part Fifteen; Part Sixteen;

Part Seventeen: …)

I try to run away, but I don’t get far.  Between the cruel bonfire of the cultists and the Scanners, my ability to maneuver is, ah, limited.  But I do my best.

I make it about fifteen feet.  Maybe twenty.

Hey, I give myself credit for even getting that far.  These things are super-cops, remember.

I’ll skip the more embarrassing description of the “confrontation” (I can’t call it a “fight” on account of how terribly one-sided and brief it turns out to be) — but suffice it to say it’s largely composed of me screaming in a pitch that is not necessarily “manly” while multiple officers strip my man-bag away from me and get me into a pair of cuffs.  The actual choreography of this action is graceless–a blind fumbling–much like two teenagers trying to make out for the first time ever, but considerably less pleasant.

And with a considerably larger amount of tentacles.  I assume.

Needless to say, I end up in the back of a cop car.

They don’t even bother to cuff me.  Maybe protocol changed while I was blacked out, but I’m pretty sure handcuffs are generally favored by the Law & Order set, but I’m guessing they don’t expect much of an escape attempt from me after the pathetic display I mustered up when I first saw them.

I wonder how to explain this to my comrades-in-arms–that I’ve been arrested and am therefore no longer quite capable of accomplishing my mission.  Not that it had been going well, to begin with.

One Scanner watches the road, guiding us to whatever destination awaits, while the other keeps its camera eye planted on me.  I shift in my seat.  For the nth time in the past few days, I ask that damnable question, the one that’s haunted me ever since I first laid eyes on these creatures from beyond our keen: “What do you see?”

The camera lens whirs and focuses.  The beady little eye inside shrinks.

It replies with one word: “Weakness.”

I wait for more, but no more comes.  “Man, I could’a told you that.”

The Scanner looks away.  If it knows more, if it saw more, it says nothing.  It makes me think: is that all there is?  I know I’m a man of weaknesses, but I’ve always assumed I had more going on than merely weakness.  Do I have flaws, or I am merely flawed?

The rest of the ride is quiet and uneventful.  We drive for a long time.  I couldn’t give you specifics, but it’s nearly dawn before the vehicle comes to a halt.  The door opens and I’m hauled out by the shirt collar.

“Citizen Hughes,” a new Scanner stands before me, this one garbed in nicer clothes.  “Your bail has been automatically subsidized by JPMorgan Chase Bank.  To receive this privatized subsidization you must agree to be released into their recognizance and to serve the time until trial as an employee at McArbyKing’s.  Do you agree to receive this subsidization?  If not, we have forwarded your headshots and resumes to other, more senior inmates in holding.”

Yes, these are the grim options I am given, held aloft by a dozen tentacles.

“You know,” I say, “I have some experience in minimum wage work!”

“Let it be shown that Citizen Hughes has agreed to the terms of the Employment Camp and is now being processed as an employee until such time as a trial is able to be held before a Judge of the Great Dark Ones.”

And without much further ado, I am handed a W-666 form to fill out.

Share This:Facebooktwittergoogle_pluspinteresttumblr
Stalk Me:Facebooktwittergoogle_pluspinteresttumblrinstagram

Short Story: Track 01

1.

I watched her change.

It was slow, at first.  These things are always like that: achingly slow and then all at once.

It started when we found the CD in the backyard.

It was the first house we’d ever really lived in.  We were squatters, before that.  I mean, there’s enough abandoned footage in Oceanrest that I don’t really consider it a crime, and it’s no secret the economy’s eating everyone’s money and shitting it out in China or wherever, but, yeah, we were squatters.

But I got a job at a gross hole-in-the-wall bar downtown and she started doing paid drug testing for non-FDA approved cocktails at Winters-Armitage Labs.  We didn’t make much, but we made enough where we didn’t have to curl up shivering in a bunch of stolen blankets every winter.  We made enough to live in a place with real working electricity and gas and not have to worry about another squatter stumbling in on us in a bad mood.

We rented part of a house.  Not an abandoned one–a real one, by the edge of town, with a backyard.  And the third day we were there, we took a walk through the grass toward old Lafayette Street, thinking we could head down to the hollow carcass of our old hallowed homestead, and we found a box.  Just a box.  A box that could’ve been any other box in the world until we opened it.

But we opened it and found the CD.

That’s all that was there.  Just a CD in a little blue jewel case.

‘This is for you,’ black marker promised along the curved edge of the disc—where people used to write band names or mix names or the name of their crush with little hearts around it.

‘This is for you.’

We didn’t own a CD player, but we were curious.  I liked to imagine that it was a sacred relic.  That it was someone’s love letter to someone else.  Another girl like me, nervous about liking another girl like Lee, put a mix together on her old 2001 computer and burned it to an old 2001 CD-R and wrote a little message on it, trying to keep her handwriting steady and androgynous, and then handed it over after class with all the racket in her head cranked up to 11.  That’s what I liked to imagine.

And it is a love note, in a way.

To us from…from whatever It is.

 

2.

When Lee wanted something, she had her ways of getting it.  It was a skill she’d developed through two and a half years of heroin spiral, scamming and conning her way all the way to the bottom.

She came home one day holding a CD player and headphones, smiling widely.  She didn’t have a beautiful smile.  We aren’t beautiful women…three years of being homeless will do that to you.  But even though her teeth were worn and maybe smaller than they should’ve been, I liked her smile.  It made me happy.  And Lee, well, she didn’t smile very often.  Three years of being homeless will do that, too.

But that day, she flew into our apartment like a bee.  Buzz buzz.  I was still eating breakfast, cold cereal with water poured on it and instant coffee, and as soon as I saw her jumping up and down (oversized sweater, wiry black hair like a pot scrubber, green hazel eyes shining for the first time in weeks), I burst out laughing.  I dug the CD out of the underwear drawer (spent my first paycheck on clean underwear instead of food, figures) and we sat on the floor and took turns listening to it.

Lee put on the headphones, first.  She hit play and watched the digital read-out.  A few seconds passed.  Her face dropped.  The buzz-buzz left her eyes and she started hitting other buttons along the edge of the player.  She turned the volume all the way up.

“What’s wrong?” I asked.

“Dunno,” she shrugged.  “Don’t think it’s got…”

I waited for her to finish her sentence, but she didn’t.  She just stared off.  Her eyes made me think of the real crazy ones, the guys we ran into while squatting who just weren’t home, who wouldn’t notice even if we took the sweaters off their backs.  She turned toward me.  I felt like she could see my molecules moving.

“Come on, knock it off.”

Her lips opened a little, the way they do when she’s turned on, and a small, quiet groan came out.  I don’t know why, but it made me angry.  The way the sound felt when it came out of her dead-eyed face, it made me really, really angry.  So I reached over and grabbed the things off her head—and as soon as they were off, I wasn’t angry, anymore, like it was a need I’d fulfilled.

She closed her mouth and focused her eyes on me.  “You gotta hear it.”

The tone of voice people use when they’re trying to sell you heroin…

But out of her mouth, I believed it.

I put the headphones on and started the CD from the beginning.  The volume was so high I could hear the hiss of the silence.  I think maybe that’s why they wrote the Devil as a snake in the beginning: the sibilance of deep, unrelenting quiet.  I reached for the CD player to skip the track, but Lee grabbed my hand.  She shook her head, eyes wide and serious.

That’s when I heard it: something under the silence, around it.

And somehow, as soon as I noticed it, I noticed everything else.  I could feel every inch of skin on Lee’s body, every inch, knowing she’d showered for the first time in days and knowing how deep the pores in her face drilled down.  I could feel her thoughts pushing out against the cage of her skull.  I felt a fantasy she had about killing her dad.  I felt the way his blood would feel on her small hands, the way it would pulse out of him, weak and weaker with every dying beat of his heart.

I felt the skin of the world like Lee’s skin.  Stone and dirt and magma and pores that drilled all the way down, cavern systems full of undiscovered dead, their decaying ghosts pushing up against the rocks like thoughts against the bones of Lee’s skull.  I felt the earth dream.  Or I felt things inside the earth dream.  I felt shapeless fantasies rippling through black space.

And then it wasn’t just feeling, it was being, and knowing, and…

Watching molecules split and organisms self-replicate and stitch themselves together, creating life, creating Sisyphus, Sisyphean consciousness, self-awareness, thousands of molecules dreaming at the same time, Sisyphus the All-Father, protons and electrons all dreaming at the same time, and all humans all dreaming, telling each other dreams like stories, inventing Sisyphus, pushing our rocks uphill, dreaming that one day we’ll be at the top…

Then I heard Its voice.  I don’t remember what It said, that time, or if It said anything at all.  I just remember hearing It.

The voice under the silence, its mouth breathing into my ear around the silence.

That voice.

It sounded like the whispering voices of Hiroshima ghosts.  Like gas pouring out of shower heads.  It tasted like non-FDA approved drug cocktails and chemical sweetener.  It felt like oil and radiation poisoning and cancer creeping through my bones.  It was a vile thing that happens, that just happens, and nobody ever finds out why, even if they spend the rest of their Sisyphus lives looking for answers.

Lee pulled the headphones off my head.

I got up off the floor.

“You were screaming,” she whispered.

 

3.

I threw the CD away.  After I got back from bartending, a pocketful of cash tips and a gut full of brandy, I plucked it out of the CD player and dropped it in the trash bin.  I slumped into bed with Lee and curled up around her.  She stirred, turning her body toward me.  Her lips parted, just slightly, and she reached her hand up and wreathed my hair with her fingers.  She made that sound, that whisper of a moan, and I kissed her.  She kissed back ravenous, her body grinding against mine.  Her hands grabbed me, squeezed me, sent shivers through my skin.  She threw me onto my back, always stronger than she looked, and straddled me.  In the near-black dark, she was a statue towering overhead, smooth stone eating moonlight.

It was dawn before I fell asleep, sweaty and hot even in autumn, my brain floating in a sea of serotonin and oxytocin.

She was gone when I woke up, off to report to whatever doctors handled her drugs.  I pulled myself out of bed still high, brain soaked in enough orgiastic chemistry to keep my hangover on mute.  I sat on the edge of the mattress reminiscing about the night before and took the time to dose myself another orgasm before breakfast.

I ate cold cereal with water and drank instant coffee.  I fantasized about having enough money to stock up on real food.  I remembered having a pantry when I was a kid…it seemed like a nice idea.

I didn’t notice she’d plucked the CD out of the garbage bin.

That night at work, things were weird.  It’s hard to explain.  A kid came in to make an order and I could tell from the texture of the skin on the back of his hand that his ID was fake.  A man ordered a drink and I could smell on his breath that he wanted to fuck me.  It wasn’t his tone of voice or the way his eyes touched me like tongues, it was the scent that belched out of him when he opened his mouth.  I knew.

The whole night was like that, one customer after another.  They wore their secrets like too much cologne; they reeked of their hidden histories.

When I got home that night, I found Lee still awake, sitting cross-legged on the bed in the dark.  The moonlight stole in through the window and kissed her skin like a secret lover.  I stopped in the doorway.

“You’re still up?”

Her head snapped around.  “Huh?  Oh.  Yeah.  What time is it?”

“Almost four-thirty.”

“Oh.”

And she rose from the bed smooth and fluid, came to the door, and kissed me, hungry.

The days played out like that for a while.  I came home from work and she’d still be awake, sitting on the bed, staring into space, grabbing me like she’d never felt human skin before…or she’d be sleeping, curled fetal in the sheets with her lips moan-parted, waiting.  I thought it was the new place, the excitement to have our own roof, the closeness of the room…I never stopped to open the CD player she kept on the floor under the foot of the bed.

Never opened it.  Never saw the disc still inside, stolen from the garbage bin.

‘This is for you.’

Never knew what she was putting in her ears.

 

4.

One morning I found her side of the mattress coated in pale flakes, bits of dry skin and dander, white flecks like maggots in the sheets—and they smelled.  They smelled like her, but stronger, as quintessence, as a perfume made from the oils of her skin.  I brushed them onto the floor and swept the whole mess up into the bin.  I sat there staring at the bed, afterwards, wondering what the hell they were.

This would’ve been a little over a month after we found the CD.

By then, I’d stopped feeling those weird sensations at work.  I’d stopped with the synesthesia and the oily, visceral insights.  I could still remember the voice, but only in my nightmares and just after I’d woken up.  So I didn’t make the connection.

I asked her about it that night.

“Yeah,” she said, statue-still in the dark, still awake at 4:00 AM, “the doctors told me about that…new drugs they’re testing for bipolar.  Said that might happen.  A severe kinda side effect.  Said I should stop taking them if it happens.”

“So you’re gonna stop?”

She hesitated.

I repeated myself: “You’re gonna stop.”

She rose from the bed like a mantis unfolding.  “I don’t know what they’ll put me on, after.  Don’t know if they’ll even have anything else.”

“There are other jobs.”

She got close to me, close enough for me to see her small, worn smile in the moonlight.  “There really aren’t.  Not for people like us.”

“Can you see if they’ve got…something, at least?”

Her arms fell around my neck and pulled me in.  She pressed her forehead against mine, her breath saccharine as aspartame, “I’ll ask.   Kiss me.”

I did.  She bit my lower lip, just hard enough to arouse a small, shivering moan from the back of my throat.  I grabbed the back of her head, felt her hair suddenly smooth, commercial smooth.  Her skin, too, when her clothes came off, smooth as lacquered pearl.  So smooth my fingers just rolled off of her.

The next day there were more flakes.  Not as many, but enough to put me on edge.

The flaking went on for about a week.  Less of it every time.  And she started to look different.  Her lips reddened, her skin glowed; all the dry, sallow color of her drug-drained complexion turned radiant.  Her hair, I already mentioned.  She still didn’t smile much, her teeth small and discolored, but the rest of her looked better than ever.  Healthy.  Happy.  And every time I brushed the flakes into the garbage I paused and turned it over in my head.  New drugs they’re testing for bipolar.  I should’ve known.

 

5.

“They switched me to something else,” two weeks later.

“What?”

“Something new.  Dunno what it’s for.”

“They didn’t tell you?”

She shook her head, wearing her hair loose, now, velvet sheen flickering around her jawline.  It glowed like it ate light.  “Said it was some kinda triple-blind study, which I never heard of, but…real small group of people.”

“Sounds like bullshit.”

She nodded.  “Probably.  Say we’re doing a 30-day test and then we gotta decide if we’re gonna opt-in.”

“Opt into what?”

“In-patient stuff.  It’s like that.”

“I don’t like the sound of it.”

“Me, neither, but…”

She turned her head and stared wistfully out our bedroom window.  Her small teeth rested against her lower lip and pressed in.  A sound followed, somewhere between sigh and moan, and she tilted her head as if trying to hear something through the walls.

“But what?” I asked.

“I’ll show you.  I don’t think you can understand unless I show you.”

 

6.

She tasted like everything I ever wanted to eat.  The tree of carnal knowledge.

Straddling my face, she looked like a statue, skin pure pearl.

When she pulled away she kissed me, hungry as ever and greedy, trying to eat herself off of me.  Her fingers rolled over my skin and came to rest between my legs.  Her touch was the vibrator of the Gods, Aphrodite’s Olympic Lust.  I gasped, mouth wide, shuddering in whispered moans.  I bucked and she met my motions.  I collapsed limp, relaxed down to the bone, the wettest definition of serenity.

After, she rolled over and fished a baggie out of her discarded pants.  Five pills like beads of black opal lined the bottom.  There were things more important than cuddling.

“What’s that?” my voice airy with oxytocin.

“New pills.  Stole some while the doc wasn’t looking.”

“What are they?”

She cupped one in the palm of her hand, “You have to try it.”

That heroin-dealer voice, offering the first dose for free.

But out of her mouth…

It went down like a gel cap, smooth and easy.  She took one, too, and told me to lie back down on the bed and close my eyes.  She said it was unlike any drug she’d ever taken, prescription or otherwise.  She was right.

It was similar to the CD.  The breadth of it.  When it hit, the initial buzz a touch softer than speed, I could feel the earth hurtling through space.  I could feel the skin of the world shiver.  I heard the sibilance in silence.  I felt like I had been given private access to a secret frequency and I was tuned in to the song of the universe.

In every breath I felt alive.  I could feel my lungs expand to fit a million possible futures, eat them up in the form of oxygen, and exhale the path I was on.  I could feel potential energy pulse in my veins.  I could feel the impossible weight of sitting at an intersection, wondering which way to turn.

I was so caught up in the initial rush of it, the inaudible bassline of the cosmos, I didn’t notice Lee put the headphones on my head.

Until I heard It.

There weren’t any words, at first—it was just a sensation, a sound, something like a dream throbbing between my ears.  I felt all my insides wet and slippery.  I heard the magnified noise of a thousand hearts beating in tandem.  I felt my skin shift and dry, the beginnings of my personal chrysalis.

When It spoke, I felt it more than I heard it.  It hummed in my rib cage and resonated up the bones in my legs.  The pieces of my skull jittered and vibrated.  “Do you want to change yourself?  Do you want to change the world?  What do you want?  What do you really want?”

I pulled the headphones off and jerked up, sitting on the edge of the bed.  A thin lacquer of sweat varnished my skin.  Lee stood across from me, still naked, watching.  Observing.  I climbed off the mattress.

“I threw it away.”

Lee shook her head, “You heard It.”

The drug was still thick in my veins, telling me secrets in the waver of her voice.  “You listen to it all the time.”

“Doesn’t it feel good?”

It did.  It felt amazing.

But: “Why do you have that?  How?”

Something flashed behind her eyes, like a snake squirming against the side of its tank.  “I saved it.  What’s so wrong about that?”

“Whatever this is,” I picked the CD player up off the bed, “we shouldn’t have it.”

“Why not?”

The question stopped me dead in my tracks.  Why not?  I stood holding the CD player for a long time, feeling the earth breathe beneath me.  “It’s dangerous,” I finally said, “something like this, whatever it is, is dangerous.”

She crossed the room to me and put her hand on my hand on the CD player.  Her skin melted with mine, molecules rubbing against each other, flesh comingling with flesh, dreams comingling with dreams.  But hers were different, somehow.  She squeezed my hand and I felt all of her thoughts roaring inside of her.  She was so much bigger on the inside, so much more powerful.

“It’s for us,” she whispered, lips trembling against my ear.

I let her guide me back to bed.

 

7.

That night at work, I felt cockroaches breeding in the walls.

The customers made their usual orders and tongued me with their everyday eyes.

Lee listened to the CD, the self-help love note from God or the universe or the hungry mouth at the bottom of a black hole.

 

8.

I came home to find the bathroom door shut and locked.  I could hear Lee behind it, sounding like she was hunched over the toilet bowl, retching.

“You okay?”

“Fine,” she choked out, voice ragged through the door.  She coughed and I heard something drop into the toilet water, small and light.

“What’s going on in there?”

The sound, again, a drop in a bucket.  “I’m fine.”

I knocked, louder this time, “It doesn’t sound good.”

“I said I’m fine!” her voice echoed in the porcelain.

She was lying, of course–I could feel it crawling on my skin like an insect.  I stared at the door.  I thought, for a split second, about putting my shoulder to it, breaking it open and storming in…but if she wanted to hunch over the toilet and suffer in secret, that was fine.  “Let me know if you need anything,” I said, not meaning it, a little heat in my voice to let her know.

She didn’t answer.

I went looking for the CD player.

It wasn’t hard to find: I could hear it singing for me.

Singing such sweet songs, the choir of the infinite cosmos.  I could feel myself get close to it, feel the magnetic crackle between the CD and my skin, the force of universal attraction, all the way down to my electrons and protons all spooning each other, dreaming.  I took a deep breath and grabbed it off the floor.  I felt the earth spin beneath me as I stomped back out through the foyer and into the garage.  It wasn’t enough to throw it away, that much was clear.  I had to destroy it.

The garage was stocked with tools the last tenant left behind, old wrenches and hammers rusted orange with age.  I grabbed one of the hammers and set the CD player on the ground, the cool calm cement floor.  I sat in front of it and lifted the hammer over my head.

But I didn’t bring it back down.  I stared at the device and felt it leach away my anger, felt it like arms wrapped around me, like breath on the back of my ear whispering sweet nothings.  It was my infinite black tar mainline.  I set the hammer back down and touched the headphones with my fingertips, feeling them want me.

I put them on.

 

9.

Weird dreams, that night.  I don’t remember how I got to bed, but I remember the dreams.

I felt something growing inside of me.  Not like a baby where it’s all in one place, a cellular clutch expanding in the uterus, but like a fungus where it spreads across the whole surface.  In my guts, under my fingernails, between the layers of my skin–I felt it growing.  It itched.  And I was so hungry I thought I could eat the world.  I thought I could eat the neutrons out of atoms and the sunlight out of the air.

Lying down in our backyard, where we found the CD, I stared up at the dream’s sky: Lee’s eye.  I could see the veined imperfections of her iris, her pupil a black hole pinned overhead.  She stared back down at me.  I could feel her dreams running beneath mine, pressing up from the soil like flowers blooming.

I gave birth on the grass.

It tore itself out of my torso, stretching out my skin until I burst open.  It came from me like the guts of an overripe fruit.  Its placenta was my viscera.  And as it lifted its head, wet and glistening in my blood, I realized it was me.  I’d given birth to another version of myself, and as Lee’s eye opened up and poured rain from the heavens, I realized it was a better version.

When the rain cleaned the blood off, I saw she was perfect.  Her skin glowed like a magazine ad and all her teeth were white and straight.  She’d never had an amphetamine problem.  She was soft and smooth as a newborn should be, unflawed by all my bad decisions.  She leaned over my opened ribcage and smiled at me with full, curved lips.  “Don’t you want to change your life?  Don’t you want to change the world?”

I nodded, lost in my own new eyes.

“I can make all your dreams come true.  I can give you anything you want.  What do you want?”

I don’t know what my answer was.  I woke up to birdsong outside our bedroom window.

I felt like I hadn’t slept a wink.

Lee was already gone.  She’d taken the CD player with her and left a note in its place, held to the floor by a half-full coffee mug.  It read: ‘I’ll be back in a few days.  Taking a trip to clear my mind.’

I read it to myself a dozen times, thinking there was a secret message hidden in the English glyphs.  I left it at the foot of the bed and walked to the bathroom.

The little black gel pills sat on the corner of the sink in their plastic baggie.  There were three left, set aside just for me.  I picked them up and held them to the light, trying to see through the smooth sheath to the ink inside.  Maybe I saw something twitch.  Maybe it was a trick of the light.

I brushed my teeth, examining them in the mirror.  They weren’t magazine-ready.

I froze before I sat down on the toilet.  I saw something at the bottom of the bowl, a small pale chiclet by the drain.  One of Lee’s discolored teeth.  A cold flash pulsed through me.  I reached into the water and took it out, turning the bone over between my fingers.  I dropped it back in and listened to the familiar plunk.

The sound made me shiver.

 

10.

I swam through the next week.  I couldn’t get the dream out of my head, the way it felt so real…it felt like I was awake when I was dreaming and dreaming when I was awake.  The dream world was the real one.  My job at the bar eyefucked by middle aged men scraping the bottom of the vanishing job market was a fiction.  Real life happened under a sky made of other people’s eyes, pregnant with a better version of myself.

I would wake up sometimes from weird dreams feeling like I hadn’t slept at all, that I’d been awake through the whole thing, and I’d go through the day feeling like I was dreaming, asleep, turned off in some important way.

Until one dawn after trudging home from another day behind the bar, double-dosed on self-medication, I took one of the little black beauties waiting at the bottom of Lee’s Ziploc.

I understood, then.  The dream was an offering, a half-finished question from something bigger than me, bigger than Oceanrest, something squirming in our bones and in the skin of the world.  Something beating in our hearts and singing in the background radiation of the universe.  I can make your dreams come true.  The CD was a love note, a mix assembled by the yawning darkness itself.  God, if you will.  Or the Devil.  Burning stars and hungry black holes and Sisyphus organisms eating each other at the bottom of the Mariana Trench.

Lee had known from the start, from Track 01, something inside of her recognizing what the silence was saying.

The note she’d left in place of the missing CD player was her reply.  It wasn’t just jotted off to let me know she was gone and she’d be back, it was her response to the CD’s call.  ‘This is for you,’ ‘I love you, too.’

I wanted the CD player back the same way a junkie wants a cheap fix, even after she’s gone from China white to black tar, even after she’s ended up on the street.  Even after I find her one night sobbing because she scammed her mother’s laptop for $200 and she can’t go back home.

 

11.

Another month passed and the world started to feel normal, again.  Sleep started to feel like sleep and the job felt like the job and I was taking deep breaths and being grateful to have a roof over my head that I paid for with real money.  I started to feel okay without the CD player, without the silence whispering to me.  Started to feel like it had all been a nightmare to begin with…but it wasn’t over, yet.

I woke up sometime between midnight and dawn, pitch-black room silhouetted by waning moonlight.  I sat up in bed, not sure if I was awake or dreaming, and squinted into the darkness.  I could feel something in the room with me, something magnetic calling out to all my cells.  “Hello?”

“Hey,” Lee replied.  She was at the foot of the bed, a shadow in shadows.  When she smiled, her bright white teeth, full and straight, caught all the moonlight in the room.  She became a Cheshire grin hanging in the darkness.

“What’s…what’s going on?”

“I wanted to see you, again.”

“What?”

She climbed onto the mattress, slow and graceful.  “I have to go away for a while.  Not too long, but a couple of months.  I want you to come with me.”

“We just moved in.”

Her hands found my body, her smooth, gentle fingers, her unworn palms.  “Just for a while,” she whispered, smile glowing.  “We can always come back later.”

“Let’s talk about it in the morning,” nervous and happy at the same time, not wanting to dive in but not wanting to back out either.  “Okay?”

She straddled me and I felt her lips press against my neck.  The kiss tickled, followed by a gentle bite: her new, perfect teeth pressed into my skin.  I groaned.  Her lips moved up, following the curve of my neck to my jawline and then my mouth.  A hunger opened up inside me, in my chest and my abdomen and inside the walls of my pelvis.  My body was a black hole and she was the burning core of a massive star.

The cool body of the CD player pressed against my breast, just over my heart.  “If you want to, you’ll find me.”

She climbed off me, standing next to the mattress.  She was a monument, a statue lapping up all the light, sacred with gravity.  She was the same, but different.

“I love you,” I muttered, body shivering with anticipation and hunger.  So much hunger.

“I love you, too.”

And she left.

 

12.

That was two weeks ago.

I woke up the next morning thinking it might have been a dream, but the CD player was there.  It came open during the night, lips spread to reveal its silver tongue, the words ‘This is for you’ scrawled on it in genderless handwriting.  I thought I would listen to it after work, thought I’d feed that hunger in me with it.

Except, that night, I heard about what happened to Lee’s dad.

His house had burned down–something electrical, ostensibly electrical.  They had to identify his body through dental records.  How had he burned to death in the kitchen?  Shouldn’t he have smelled the smoke, heard the flames snickering as they tore his home apart?  Of course.  And if there’d been anything left of his body, I’m sure they would’ve found a knife wound, a mean gash like a middle finger starting at his diaphragm and pushing up between his lungs.

I’m sure because I know what it would be like to feel his life pulse away over my hands, Lee’s hands, as his heart chokes through its last ragged humps.

I went home and stared at the CD winking at me between those electronic lips.  I remembered the first time I heard the voice, not the smiling promise of the dreams to come but the first time.  It was the voice of holocausts and nuclear ashes, cancer growth and heroin sizzling in a spoon.  Artificial sweetness: I can make your dreams come true.

I shivered.

I put the CD player in the garage.  I couldn’t bring myself to smash it, not with the CD inside, but I could stow it somewhere, hide it from myself.  I locked the garage door and crawled back to bed, staring out the bedroom window at the sunrise.  I ground my teeth like the addict I used to be and thought about the pills still lying on the edge of the sink, beads of black opal humming the secret frequency of the universe.  I thought about the CD, the voice of the unspoken word.

I thought about Lee and her new skin and her new teeth and all that power pulsing inside of her.  About the way she kissed me while she was listening to the CD all the time, like she was starving for it, like I was a feast she’d been eyeing her entire life.  I thought about the hunger inside of me, gnawing emptiness in more than just my cunt, more than my guts and my mouth and everything else.  A hunger on a different level.

I went to the pantry, now fully stocked, and stared at the food.  I didn’t want any of it.  I still don’t.

I haven’t slept much.  I wake up, I go to work, I come back home, and I pace between the garage and the bedroom and stare, stare, stare at the door to the garage.  I know what’s on the other side.  I know what it can do.  I’ve seen it in the skin flakes covering my bedsheets, seen it floating yellowed and small by the drain of the toilet bowl.  Felt it in Lee’s darkest fantasies brought to life.

I am so scared.

Not of Lee.  I want Lee to come back.  I want her to touch me with those electric hands, soft and smooth and uncracked, to feel her lips brush against my skin.  No, no, I’m not scared of Lee…

I’m scared that I’m still so hungry.  That I pick up Lee’s magic Ziploc baggie every morning and touch the pills through the plastic and moan.  That I still feel something growing inside of me in my dreams.  That I can unlock the garage door any time I want and just step inside and put the headphones on and hear silence ask me what do you want? and I’m scared of what I’ll answer.

I look at myself in the mirror, the way my skin looks before I put on all the barmaid make-up, pale and sallow, and I want to change.  I hear roaches sing love songs in the walls at work and I want to change.  I feel the bristle of men’s tongues coming through their eyes as I walk past them and I want to change, want to change the whole world, want to see what would happen if the door of the bar got jammed shut and the whole place crumbled to black ashes overnight.  But what would I do if it all really happened?

And there’s something else, too…

That heroin dealer voice only gives you the first sweet nothing for free.  After that, well, Lee knows all about what comes after that, about all the things she stole and all the scams she ran and all the cons and the screams and the sweats and the bad shakes and the anti-addiction meds…

So what does it cost?

If that aspartame voice makes good on all its silent promises, what does it cost?

And how long is it going to be before I find out?

I run my fingers over the body of the CD player.

What do you want?

What if I answer “Everything?”

Share This:Facebooktwittergoogle_pluspinteresttumblr
Stalk Me:Facebooktwittergoogle_pluspinteresttumblrinstagram

The New American Apocalypse, Pt. 16

(The New American Apocalypse

Table of Contents: Part One; Part Two; Part Three; Part Four; Part Five; Part Six; Part Seven; Part Eight; Part Nine; Part Ten; Part Eleven; Part Twelve; Part Thirteen; Part Fourteen; Part Fifteen;

Part Sixteen:…)

 

I run.  I don’t remember for how long.  I also don’t remember in what direction…my natural sense of direction is pretty shit.  I usually rely on my friends to point out the right way to go or, barring that, I try to use streetsigns to orient myself, but the streetsigns are impossible to read in the new darkness of Manhattan, where the only light comes from a photonegative glow wafting up from patches of alien fungus and spots of darkness so deep it seems infinite.  Some of these spots of darkness seem to open up in the middle of the street, where they’ve swallowed everything around them.  Miniature black holes?  Wounds in reality like the one I saw in the fast food joint?  It doesn’t matter.  I avoid the hell out of them in any case and just run, run, run…

I know what we’re all thinking: didn’t I have a job to do?  Am I not, in small part, responsible for this madness?

Well, yes, technically.  But I’ve pointed out many times that courage is not one of my virtues and, having seen what I saw in the fast food joint, I’m in no mood to push my way through the shifting horde of the zed populace in search of even more dangerous enemies.  Though the drugs and booze and the support of my friends and loved ones might have given me a temporary boost of the nerves, these things are no match for the soul-splitting horror of this new American terrain.

Ms. Bradbury was right.  This is indeed a Lovecraft-scale emergency.  And, like most protagonists in H. P.’s old tales, my options seem limited to three choices: (1) flee in terror, (2) lose my mind, or (3) die violently devoured by the darkness around me.

What the hell would you do, if you’re so brave?

Eventually, after so much running that I can barely breathe (I am uncharacteristically fit for a broke writer-type, I’ll have you know), I see a glow in the distance.  This is not the black-purple glow of the great darkness hanging over Manhattan, nor is it the neon-halogen glow buzzing like a bee hive around Times Square.  No, this is a much more normative, natural glow.  Orange and yellow.  I heave a sigh of relief–is this a sign of real humanity?

Ah, to be so young and foolish, again.

I approach cautiously.  I am ill-prepared for confrontation, I’ve now realized, and the single weapon I’ve brought with me seems increasingly useless.  In a world so populated by monsters and possessed by darkness, what the hell am I going to accomplish with a knife?  In the darkness of what I’m hoping is not an eternal night, I roll my eyes at the naivete of my past daylight self.

It’s a bonfire.

No, that doesn’t capture it.  It’s a blaze.  A conflagration.  A whirling inferno reeking of burnt plastic and kerosene.  It burns evil and throws its sinister light across the fierce faces of the cult that revels around it.

I keep my distance.  The stories Anna Bradbury told me make much more sense, now.  Now that I see the Cult of M’Ra first-hand.  Now that I can behold their barbarism with my own two eyes.

The blaze they’ve lit feeds off of pride parade floats and piles of sex dolls.  Used porn magazines provide extra kindling.  There are brutalized effigies mixed in at random– the warped features of Ruth Bader Ginsberg transformed by hungry tongues of fire.  The smell makes me cringe, makes my eyes water and my face burn.

The cultists themselves are naked.  Well, almost naked.  They wear masks.  (As an aside: have you ever wondered what it is about cultists and masks?  Why do these kinds of people always wear facegear?  I’m not trying to imply that there’s latent fetishism among all cultists, but it’s certainly a strange kind of trend, isn’t it?) — in the case of the M’Ra cultists, the masks seem to be of anyone male.  Well, anyone male that Halloween stores carry masks of…Nixon, Bill Clinton, Elvis Presley, etc…though some people seem to have made their own homemade versions, various masculine figures whose identities are thankfully unknown to me.  I recognize a porn star, but I can’t recall his name.

How many of them are there?  It’s hard to tell.  I’m overwhelmed by so much nudity, so many erections and naked male bodies with the words ‘No Homo’ painted across their chests like team names at a sporting event…

They revel madly.  There are songs and more effigies and–are those pinatas?  I believe so.  A dozen of them, at least, with prominent women’s faces applied over the heads.  Anita Sarkeesian?  Taylor Swift?  Amanda Palmer?  Hillary Clinton?  bell hooks? — and more, too many more!  The cultists beat at the pinatas with massive rubber dildos.  Dozens of flopping multi-colored sex toys smash against papier-mache.  What’s inside?  What waits within these sacrificial effigies?  What prize do the cultists seek?

(The irony is also not lost on me that men in Bill Clinton masks are attacking a Hillary Clinton pinata with rubber dildos…but there are more important things to address:)

I am shocked to see that there are women in this cult.  It takes me some time to recognize them, due to their accoutrement.  They wear the same iconic Halloween masks as the men, but also wear body-suits that mimic pregnancy and, below the stuffed bulge of their false fullness, strap-ons of the most realistic variety.  Each of them flagellates herself with…and please, forgive the description…with what I can only think to call a “cat-of-nine-dicks.”

Consider this image, if you will: President Richard Nixon with pendulous breasts hanging over his pregnant belly, his massive veiny cock waving in the air.  Nearby, Elvis Presley attacks an Elizabeth Warren pinata with a double-ended neon-pink dildo.

Such a scene of horror no human is meant to behold!

Why?  Why had I bothered convincing Ms. Bradbury to leave her fortress?  Lightless though it was, at least it was safe shelter.  Out here in this madness, who could possibly survive?

I decide to flee before they notice me.  This, I think, is not so much cowardice as common sense.  A decision I made very early in life not to be beaten to death by sex toy wielding maniacs.

Unfortunately, I fear I paused for too long in surveying the madly reveling cultists before me.

Because when I turn around, I come face-to-face with three Scanners, their camera-lens eyes already focused on me.

“Citizen Hughes, you are under arrest.  Please submit to our will before we are forced to make things extremely unpleasant for you.”

Share This:Facebooktwittergoogle_pluspinteresttumblr
Stalk Me:Facebooktwittergoogle_pluspinteresttumblrinstagram